Wednesday, December 29, 2010

"You'll burn in hell while they're digging you out"

There is no song I can think of from Coheed and Cambria's career that is more progressive, more disorienting, and more twisted than the second song of the four-part series: "The Willing Well II: From Fear Through the Eyes of Madness." Though worded differently from the actual album title, this song is obviously the album's title track. To use poetic license, this song is the kind that likes to catch you off guard. It starts off completely one way and by the end has gone the other direction.

At first, one listens to the song and perhaps thinks it might be a slightly happier tune. However, as it progresses it feels like the song catches you in its mouth, chews you up, and then spits your mangled remains of blood and bone all over the wall. That's probably what Claudio Sanchez would think anyway.

While the lyrics remain just as twisted and dark, the song fools you into thinking this might be a lighter approach to the concept because it starts off with a hooky, upbeat guitar riff accompanied by some equally catchy vocals. In some ways it's the most pop sounding riff of the album. Don't let that fool you. It doesn't take long for the song to change its tune and become something else. The chorus consists of a heavier riff, reflect just a bit of the madness to come with the line "You'll burn in hell while they're digging you out."

Of course, then the song just throws you back again as it returns to a second verse consisting of the same catchy hooks, only to return again to the chorus. But even then, the band takes a step further with a bridge full of fast-paced rhythms by Claudio and Josh.

"I'm eating my way back home."

This leads smoothly into what is my all time favorite "woah oh" moment of any Coheed song. Here, really, is the heaviest and most psychotic part of the song, conceptually anyway.

The rest of the song follows in a very similar vein, not really changing in terms of heaviness at this point, but it's clear it took on a different tone than how it started. The repetition of "No runs faster than you can" as well as the occasional "rabbit" references give the listener the idea that someone is hiding from their destiny.

In a way, that's exactly what's happening. The song is named as it is because the story is bleeding together; that is, both the Writer's world and the story world are continuing to come together, though the Writer and Claudio Kilgannon have yet to meet. "From Fear Through the Eyes of Madness" is true to its title as the narrative passes back and forth between these two men and their disillusionment with everyone and everything around them in order to face their destinies. It's also chronicling their journeys -- the Writer's journey into the story, and Claudio's to House Atlantic to face Wilhelm Ryan (in spite of not accepting his role as the Crowing just yet).

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